Held every year from 25th February to 2nd March, Khajuraho Dance Festival takes place at the open-air auditorium in front of the Chitragupta Temple dedicated to the Sun God and the Vishwanatha Temple dedicated to Lord Shiva. They are situated in the Western Group of temples, which is the largest, well maintained and most easily accessible temple group of Khajuraho. Started regularly since 2002, this weeklong festival has already become legendary with its outlandish classical dance performances presented in a dreamlike setting of splendidly illuminated temples. Khajuraho temples present sculptures depicting various skills and arts of courtly love including dance and music in stone and what venue can be more befitting to hold the cultural festival highlighting the various classical dances of India!

Some of the best artists and performers that have marked themselves in their fields come from the various states of India to participate in the festival and the performances including some of the best known dance styles such as the intricate footwork of Kathak, highly stylized and sophisticated Bharathanatyam, soft lyrical temple dance of Odissi, the dance dramas of Kuchipudi, Manipuri, the dance of rare and ancient civilization and Kathakali stage fights with elaborate masks. Recently, modern Indian dances have also found their place in the Khajuraho Dance festival. Along with the dance performances one can also see a number of craftsmen trading off their indigenous arts and crafts to the visitors.

Once a year in winters and on the middle of the continually rising and falling stark yellow sands of the great Thar Desert, the empty sands around Jaisalmer come alive with the brilliant colour, music and laughter of the Desert Festival. The festival is organised by the tourist authorities as tourist entertainment around January-February.
The very rich and colourful Rajasthani folk culture is on show here for a few days. Rajasthani men and tall beautiful women dressed in their brightly costumes dance and sing lingering ballads of valour, romance and tragedy. Traditional musicians attempt to outdo each other in their musical superiority.

The high points of the festival are - snake charmers, puppeteers, acrobats, folk performers do rapid trade. Camels, the lifeline of the desert, play a foremost role. Proud moustached villagers, dressed in their ethnic best come astride their picturesquely caparisoned camels to join in the camel dances and competitions of camel acrobatics, camel races and dicor, camel polo, tug of war and the like.
The tourist dances, turban tying competitions and tug of war are big draws and laughter. The Mr Desert competitions, which are focused around the length of moustaches by and large, attract many hopefuls.

The very first effort on organizing cultural events on a national level by Haryana Tourism was done with the launching of the annual and now internationally famous Surajkund Crafts Mela, that began in 1981. The Crafts Mela celebrates the finest handlooms and handicrafts traditions of country. It is a fortnight long event that embodies the spirit that runs through the people of India and its rich culture. It is held in the month of February from 1st-15th. The Surajkund Crafts Mela is held just 8 km from south Delhi.

Beneath thatched roof platforms, master crafts persons carefully display the finest of handlooms and handicrafts from all over the country. The event is so colorful and rich in experience, that many a tourist has returned to visit it again and again. The prices are relatively low compared to emporia, and some of the stuff can be amazing. Shops at the Mela bustle with the brilliance of mirror encasing embroidery, delicate lace work, folk motifs on terracotta forms, metal and cane-ware, the tinkle of bangles, shimmer of iridescent silks and the jingle of toys and trinkets. The Surajkund Crafts Mela is more than a celebration of crafts. At the fan shaped open-air-theatre name 'Natyashala' rich folk dances and musical evenings are held throughout the mela fortnight.

It was in 1933. Philanthropist Inder Singh Grewal visualised an annual recreational meet where farmers from areas surrounding Kila Raipur could get together and test their corporal endurance. The idea gave birth to Kila Raipur Sports, the undisputed “Rural Olympics”.

In over six decades the festival has grown from a toddler to a prancing, energetic youthful organisation. This pioneer rural sports festival has become an annual international event, which is normally held in the first weekend of February. A dynamic team of organisers – Grewal Sports Association – has taken yet again another pioneering step of giving rural women a break in sports.

Today this festival of the rustics attracts more than 4,000 sportsmen and women, both of recognised and traditional sports. The three-day festival is witnessed by more than a million people. Besides, several million others watch it on television, read about it in newspapers and magazines.

Whether you are in Punjab or in Toronto or in Southall, you will know the latest about Kila Raipur Sports. Its participants come from all over the globe. Since it takes several months for the immigrants in England, Canada or the USA to select, train and send their Kabbadi and Tug of War teams to this festival which of late has become a truly international, talks about destination KILA RAIPUR start much early.

The oldest and most popular snake boat race in Kerala, and is closely connected to the Sree Krishna Temple at Ambalappuzha. The race is held on the Champakulam Lake on the moolam day of the Malayalam month Midhunam, the day of the installation of the deity at the Temple.

Legends say that Maharaja Devanarayana of Chempakasseri, as instructed by the royal priest, built a temple at Ambalappuzha. But just before the installation of the deity he was informed that the idol was not auspicious. The king was disturbed, but his minister suggested an inspired solution. To bring down the beautiful idol of Sree Krishna - presented to Arjuna by the Lord himself, from the Karikulam temple in Kurichi. The minister with a few others went to Kurichi, met the authorities there and returned with the idol. On the way back they stopped at Champakulam to spent the night and perform a pooja. The next morning boats from the entire region assembled to escort the idol in a colourful, ceremonial procession through the lake to the Temple. Years later the pageant is still re-enacted with the same enthusiasm. An exotic procession of water floats, boats decorated with colourful parasols and performing arts greets the spectator before the race. The race proper is held in various stages for various categories of boats.

Organised in the months of June or July, the Mango Festival held at Yadavindra Gardens in Pinjore is a feast for the lovers of the king of fruits, mango.

Summers can never be over without a mango feast. Hundreds of species of mangoes from as far as Bihar, Uttar Pradesh as also from Haryana, Himachal and Punjab arrive, delighting everyone with their hybrid shapes and quality. Competitions of preserved goods made of the fruit are held along with a splash of festivities and colours of cultural extravaganza at Yadavindra Gardens.